Sunday 28 October 2012

I Could Take The Pitchfork From The Devil


  1. RZA ft The Black Keys - Baddest Man Alive
    I always knew The Black Keys had an unexpected edge to them (and not the typical rock band edge either) and they have completely lived up to my expectations in this collaboration with rapper, RZA. This song has everything I love about the The Black keys in it - their quaky instrumentals and their simplistic lyical genius translated through a blues vibe. But not only that, RZA has his timing on point and blends into the rock stylistics of this song in ease giving it a harder punch. This is one kick-ass song which pretty muchs sets itself up for a kick-ass film...
  2. Kendrick Lamar - The Recipe
    An up & coming artist that I am so into right now
  3. The XX - Teardrops (Cover)
  4. GOOD Music - Clique
    I'm pretty shocked to realise I didn't already post about this so had to slide it in!
  5. Billy Ocean - Caribbean Queen
    I feel I have to add a few explanations to this months playlist - well this song is a classic, a vague genre which must always be fulfilled, but my main reason for hitting the replay button is my rekindled love of the American TV show, Everybody Hates Chris. Fans; you will know why
  6. Tennis - Origins
  7. The Revivalists - Criminal
    This is one of those songs that I am surprised that I like since it would usually be the thing that I would have listened to when I was in "that" stage and now hate but it just has that whole "trash a hotel room" vibe without having that teenage angst that usually accompanies it
  8. N.E.R.D - Hypnotize U
  9. Daley - Up And Down
  10. No Doubt - Hella Good
    I am so sad to say this, but I was slightly if not completely disappointed with No Doubts returning single, wtsitcalled, and so I have been trying to comfort myself by listening to their old tracks

Tuesday 16 October 2012

The Represention Of: Tupac Shakur



Tupac Shakur is one of the most creditable, influential and compelling American rappers of all time. His rise to fame has been iconic and has been subject to much media speculation and controversy but within his genre, who could expect any less?  

Having been raised in the ghettos of America, Tupac was accustomed to a life of poverty and crime which enabled him to witness the true cracks in society. Shakur used his music to proclaim societal and political issues from the corruption of authority to sexual abuse and in effect, gave a voice to the majority of American’s living in the ghetto. Tupac began his professional career in the 1990’s having released his first EP in 1990 and his first solo album, 2Pacalypse Now, a year later. His debut instantly received high critical acclaim as well as out-right criticism, a divide that inevitably followed throughout his career. His first official release, Brenda’s Got A Baby, is a prime example of Tupac’s signature style not only in the use simple urban beats, soulful backing vocalists and straight-forward yet poetry-like style, but also the topics he discusses for the lyrics to this particular song were formed after having read a newspaper report on Brenda, a 12 year old girl who fell pregnant at the hands of her cousin, which triggered his criticisms of how society treats teenage pregnancy and how quick they are to outcast young mothers which then has a knock on effect to crime and prostitution.

Rap artist, 50 Cent once stated that "every rapper who grew up in the Nineties owes something to Tupac” commemorating Tupac for being a pioneer of the rap genre and for rather than allowing himself to be comparable to other artists of the 90’s, he set himself apart as someone to whom future artists are can be comparable to. Tupac has achieved high respect even within modern pop culture and many rap artists still use their songs in homage to him. J. Cole, an American rapper who released his debut, Cole World: The Sideline Story, late 2011, actually cites the chorus of Tupac’s Hail Mary within his EP Single, Enchanted. J. Cole has been credited with having an extremely similar style to Tupac and has further shown that Tupac represents the soul of the rap industry by discussing similar society centred topics with the urban roughness and explicitly that initially set Tupac apart from the rest.

However, Tupac wasn’t always criticised in his represented in a critical manner for the music video to Changes, was released after his death as homage to Tupac and his achievements within the rap industry. This video is a documentary style montage of Tupac at various points within his career and various clip are collected from media reports. Amongst these are some of Tupac’s troubles and various run-ins with the police but rather than use this against him, the clips are combined with photographic images to portray him as “only human” and as an honest American who grew up in the ghetto. A clip of Tupac himself is shown addressing his approach to representation from which the audio can be herd of Tupac calling him a thug by nature and accepting responsibility for himself yet acknowledging he cannot be representative of “every black male”. This thus disregards all negative press that had classified him a “bad role-model” for Tupac makes it clear he never set out to become a “role-model” at all.

“I wanted to keep it real, and that’s what I thought I was doing, But let somebody else represent it. I represented it too much.” - Tupac Shakur on the thug life.

As this quote suggests, throughout his career, Tupac has carefully represented and branded himself as a thug and in music videos such as I Get Around, he glorifies the “thug life”. I Get Around represents Tupac to lead an opulent lifestyle in which house parties are thrown, he is surrounded by young attractive women and bathes whilst wearing heavy chains. Tupac also represents himself as a thug through personal image such as his reputation for wearing a white vest, a doo rag and expensive gold jewellery which all serve as stereotypical imagery for the rap genre. This thus represents rap to be centred on superficial luxuries and power, “forgive me I’m a rider, still I’m just a simple man, all I want is money…”, however Tupac also uses this phrase by associating it with all the troubles and traumas that life has offered him such as Thugz Mansion and Thug N U Thug N Me. Tupac mocks the representation of a “thug” by citing that for his fans that are living well lives, Tupac’s lyrics will seem to “glorify” the thug life but for his fans that actually do live in the ghettos, it’s a way of helping them out of it.

Most male rappers are stereotypically represented as misogynistic whereas Tupac understands and explains the trials and tribulations of women and appreciates their presence and the power that they have over men. In Tupacs first posthumous single, Thugs Get Lonely Too, he assumes the voice of a typical thug and their sexual desires however he emphasises on the hold that women have over them by creating a scenario in which he is transfixed on a woman and when he is alone, is unable to stop thinking about her. Further more in Wonder, Why They Call You A Bitch, Tupac conveys how women should act in order to be respected by men and offers positive influence by stating “keep your mind on your money, enrol in school” and “keep your head up, legs closed, eyes open” for Tupac understands that some men may use women but and he doesn’t aim to change that, yet he defies the representation of rappers being misogynistic by educating his female audience and willing them to be wise with their body and to take control.

However, one point during Tupac career which was particular subject to harsh criticism was when he was sentenced to serve 1½  – 4½ jail time when charged with rape in November, 1993. This destroyed a significant amount of Tupac’s reputation as the media often represented him as being violent and brutal however prior run-ins with the law added to his reputation such as a shoot-out in Atlanta in the early 1990’s made Tupac even more of a “hero” in the eyes of his fans for he became more real and more relatable thus having a positive representative effect.

In contrast to the negative responses of the media, Tupac is represented as a heavy influence towards many rap and hip-hop artists and has a variety of songs dedicated to him after his death such as Ashanti and T.I’s – Pac’s Life in which they state how Tupac rose to success against all odds and still manages to have a lasting impact, “all the shit you went through meant a lot to me…”. Other rap artists such as Eminem state that Tupac “set a standard” for all rap artists by proving that you have to be relatable in every aspect which is one of Tupac’s greatest achievements for he had an experience and a lyric for almost every trouble a person may face growing up. Eminem further states in the same interview on this remix with Biggie Smalls and Tupac that whilst Tupac represents many Americans, “there was only one Tupac” thus suggesting him to be the most original rap artist of all time. And so, despite his criticisms, of which all artists have been subject too, Tupac is generally remembered in a positive light and to have an everlasting impact upon the entire rap industry.