- Jamie Woon - SpiritsI have discovered my new music love of the year and rather than bands like last year, it is Jamie Woon, a solo artist whose album was released all the way back in 2011. I had only known his debut "Lady Luck" and after coming across it, explored the relms of Mirrorwriting to find some (or rather many) absolute gems. This is 100% my favourite as it has that other-worldly sort of vibe to it with the vocals that pose as instrumentals.
- Jamie Woon - Blue TruthYep, I couldn't resist another track but this new obsession has developed pretty rapidly. Blue Truth is actually a side release to the previous album, but happens to be another favourite of mine. I am hoping 2013 will be the year for new material to be released, in which case, I am ready to attend any gig possible. This song has everything that I love about the debut in it and I wouldn't want anything else.
- The Black Keys - Lies
- Bondax - GoldI thought I would slip this one in despite having first herd it tonight but it was an instant hit.
- Dido - Let Us Move OnYeah, I am pretty much just as shocked that Dido is back as the next person but I have always found her to be at her best when in combination with rappers (or rather just looking back to her collab with Eminem in Stan) but this just backs it up. I have been loving Kendrick Lamar since his debut and this verse doesn't disappoint. I am also interested to see what Dido releases next now that she has gone with the 2012-13 sound (can be found within Lana Del Ray, GOOD Music and The Neighbourhood) that seems to be everywhere yet is always great.
- Odezsa - Don't StopOne of those songs that could be on repeat for hours and you wouldn't even realise the song ever ended.
- Drake - Best I Ever HadAlways a classic.
- Marris - AffairsI am really into DJ remixes this year. Be warned.
- Kanye West - Roses
- Theme Park - TonightI always thought they were a revamps Friendly Fires and this song produced by Friendly Fires' frontman, Edward Macfarlane, just proves it.
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Thursday, 31 January 2013
While We Have Oceans, Rivers That Bring Us To Life
Labels:
2013,
Bondax,
Dido,
Drake,
Hypnotied,
Jamie Woon,
January,
Kanye West,
Marris,
music,
Odezsa,
Playlist,
The Black Keys,
Theme Park
Saturday, 5 January 2013
Music Takes A Physical Form: Part II
Now, when I said that 2012 was the holy grail of music gigs, what I really meant was the next concert I had the luxury of being a part of was the epitome of 2012, and whilst we have survived the Mayan predictions, I would have died quite happily knowing I had attended this. Yes, I am talking about the ultimate collaboration of rap royalty that is Watch The Throne. Wow. This was a concert like no other, it has been a childhood dream to see any form of Kanye West perform live but to have his musical talents intertwined with someone as influential as Jay-Z was the cherry (or icing) on top of the cake. The performance itself was incredible, a minimalist set of on-screen graphics and fire was all that was needed and both Jay-Z and Kanye West had a stage presence and energy that complete captured the audience. They also featured an amazing set list mainly consisted on WTT tracks but also some classics such as Jay-Z’s Empire State of Mind, 99 Problems and On To The Next One etc as well as Kanye’s Runaway, Diamonds are Forever and All Falls Down etc. No Church in the Wild was an absolute favourite and the brief appearance of Rihanna for Run this Town and All of The Lights really sealed the deal. But nothing could beat the highly anticipated Niggas in Paris which was looped a grand total of 7 times. This was my ultimate concert to top all concerts and so far, nothing has come close to beating it proving that despite all the added extras, the talent and passion of the artist prevails through any show.
Whilst I had so far had an
extremely successful run of music, I was becoming slightly penniless so when I
received an email allocating tickets to Radio1’s Big Weekend situated in
Hackey, I was ecstatic to say the least. I have always wanted to go to a
festival, because let’s face it, what doesn’t beat a whole days’ worth of
endless music acts? And this £2.50 (ticket shipping costs) festival was the perfect
crash course however I did have a couple of complications (having to switch
days and then losing the tickets etc). I went to the Sunday event and this is
just a brief summary (as far as my memory serves me) of the day…
The day kicked off with Labrinth,
we then ran due to torrential rain into the nearest tent which happened to be
Zane Lowe whose DJ turn-table skills were incredible, then we had a brief montage of
Plan B and one song from Santigold (we arrived at the exact moment of my favourite
song – Disparate Youth) before we hopped into Ben Howard's soothing and
peacefully beautiful set. We then made our way towards the main stage (started
off at the back and ending the night roughly 4 rows from the front) to find
Tinie Tempah who completely got the crowd high on energy which then transcended
into the absolute goddess which is Florence & The Machine (who was also our
reason for swapping our tickets). The mysterious and unknown guest performance
then revealed himself as Dizzee Rascal who seemed to be at every possible event
that entire summer and the night finished with Rihanna who put on an amazing
show which definitely exceeded my expectations of her. Yeah, you can tell that
after all these acts, I felt like my iTunes had come to life and completely
overwhelmed me with music.
My final instalment of music for
2012 passed on the 12th of December when I returned to the 02 arena
for a very different act than what I had seen there before. The tickets were a
spontaneous buy but for a band that I had really developed an increasing love
for just at the end of the previous year. The Black Keys played pretty much
every favourite of mine, there best performances being Ten Cent Pistol and
Little Black Submarines. They offered a very laid back simplistic performance
that really focused on the band whilst graphics to match their most recent
album, El Camino, flickered in the background. The encore had a pretty
unexpected style to it as giant disco balls were lowered down from the ceiling
and an array of spotlights shone over the audience during Everlasting Light
which was another highlight of the night. Initially, I had not actually been
particularly excited about the supporting act, The Maccabees as my memory of
their previous material of years ago told me that I wasn't really a fan but by
the end of even the first song, my perception had done a complete 180. They
started on Feel to Follow, which you might have seen me feature as No1 on my
latest playlist, which showed had the band has matured and taken a more relaxed
style that is less indie-pop and is more soft subtle rock whilst keeping their
distinctiveness.
For each performance, I was able
to be satisfyingly close to the front (a good balance of pure luck and hours
queuing) which whilst it adds to the experience a great deal, the artists
themselves were enough to fully certify my love of each of them and their
songs. Its safe to say, 2012 was a vastly successful year music-wise and I hope
to have a similar post next year of 2013’s concerts. This, as it stands are the
artists whom I am determined to see…
Florence & The Machine, Portugal.
The Man, Frank Ocean, Lupe Fiasco, and (if they finally release an album this
year) The Neighbourhood. On a further note, I will be constantly checking Ticketmaster
for Watch The Throne II which I am guessing will show itself up the summer of
2014.
Labels:
1,
Ben Howard,
Concert,
Dizzee Rascal,
Florence,
Jay-Z,
Kanye West,
Labrinth,
Machine,
music,
Plan B,
Radio,
Rihanna,
Santigold,
The Black Keys,
The Maccabees,
Tinie Tempah,
Tour,
Watch The Throne
Thursday, 3 January 2013
Music Takes A Physical Form: Part I
Having lost my concert-virginity
only last summer (yes, it’s shameful), I was relieved to have booked an array
of concerts throughout the summer of 2012. I finished my small marathon of live
music only this month ending, just as I started, with a favourite rock band of
mine.
To start of the time-line, I will
set the scene of 2011 summer as I, along with a group of friends, travelled to
Hyde Park on what was looking like a pretty promising day. This was a first
experience for the majority of us and we had numerous doubts, although we paid
through Gigantic (a well-known ticket agency), that something would go wrong or
our tickets would be fake. The supporting acts were a wild little band, The Zac
Brown Band, who had a more chaotic Mumford and Sons farmer/banjo vibe to them and were a
complete success when it came to riling up the crowd. They were followed by The
White Lies, of whom I was somewhat a fan of previously, and despite sounding an
exact replica of their recorded material were incredibly underrated
audience-wise, possibly due to their minimalistic stage presence but whom I
enjoyed nonetheless. Two supporting acts is a pretty lengthy build-up by anyone’s
standard so by the time Paul Weller came on stage, the whole crowd, I included,
were simply awaiting the main act.
Kings of Leon presented
themselves in a true rock’n’roll yet
incredibly casual manner, just rolling up on stage, grabbing from a range of
guitars, holding cans and bottles of beer and tequila and the first song soon
become a catalyst along with the audiences built-up anticipation that resulting
in a mosh pit. The majority of their set-list consisted of songs from Come
Around Sundown, starting off with Radioactive, however they threw in a good
measure of classics. Closer, Crawl and Pyro were my absolute favourite of a
night that was topped off with fireworks and in all honesty, whilst it was a
long wait, I am pretty proud of losing my concert-virginity to Kings of Leon.
Moving onto 2012, my personal
holy grail of music gigs, I lined up some beauty’s starting with an unexpected
Bombay Bicycle Club (a birthday present) who were a mellow dosage of indie rock
with some amazing female supports; Lianne La Havas who brought out her debut
also this year and the shy yet warming vocals of Rae Morris who has only a few
pieces of EP material floating around as I am currently aware.
If there was any such evidence to
the phrase “put on a show” it would straight-up be Coldplay’s 2012 Mylo Xyloto
Tour. Our promise on the train home from seeing Kings of Leon the year before
that we would next see Coldplay had become reality. Even before I stepped into
the Emirates Stadium, I managed to spot a man in a giant elephant costume (see,
Paradise music video) and was given my very own “Xylo-Band” the significance of
which, apart from a small flashing light, I was yet to witness. On entrance
into the stadium, I was transported into the world of their vibrant album cover
for every conceivable part of the set was covered in graphitized lyrics and
otherwise. The show itself was absolute genius and not to ignore the obvious
talents of the band themselves, who were even greater live, let me just fill
you in with a few extras: Simon Pegg graced the show displaying unknown talents
with a harmonica, Rita Ora and Robin were great supports, giant bouncy ball were thrown over the crowd in a pure
festival style, confetti was released and the Xylo-Bands flashed in accordance with
the song lighting up the whole stadium against a dark night sky. This was
pretty much the definition of magic.
Labels:
2012,
Bombay Bicycle Club,
Coldplay,
Come Around Sundown,
concerts,
Kings of Leon,
Lianne Le Havas,
music,
Mylo Xyloto,
Paul Weller,
Rae Morris,
Rita Ora,
Robin,
White Lies,
Zac Brown Band
Sunday, 30 December 2012
2012 Highlights
Having not only began my music blog, audio-ghost, but also this general media blog only this year, I have been able to discover some true gems within music, film and otherwise. My iTunes has doubled in content and my film list is overflowing with film favourites as well as films that I am yet to see. In celebration of this as well as the beginning of a new year, I thought I would bring you on a quick trip down media-lane of the past year with a few of my 2012 favourites...
- Bands/Collaborations: Watch The Throne, The Black Keys, Portugal The Man, The Neighbourhood, The Maccabees, Alabama Shakes, GOOD Music.
- Male solo-artists: Frank Ocean, Ben Howard, Jack White, Lupe Fiasco, Kendrick Lemar
- Female solo-artists: Florence & the Machine, Lana Del Rey
- Album: Watch The Throne (indefinitely)
- Songs: I still adore each and every song featured within my monthly playlists and since they are all fairly recent posts, I can’t really bring myself to name many others.
- Music Video: Lost In The World –
Kanye West, directed by the wonderful Ruth Hogben who is incredibility talented
in portraying a sense of motion and distance within her work and allowing dance
to evolve through a black and white shot.
- Comedian: As you may have already read, I have been loving all of Chris Rocks past work and have become a huge fan of his.
- Television Show: Upon the recommendation of a friend, whilst it is a show that has been on air for quite a few years now, Californication has rapidly become my 2nd favourite show (Lost, being oceans away as the 1st). I was worried that my previous association of David Duchovny being Mulder from The X Files would block my ability to see him as a whole new character but he took on this role with such a slickness and ease that really enhances Hank Moody as a character. Every episode, whilst only 30 minutes long which is a somewhat foreign tie frame for anything other than a sit-com, is just as humorous and light as one another and what I probably love the most about the entire show, is its head-on “yeah this is L.A., and so what?” approach that allows the characters to find themselves in ridiculous situations without appearing over dramatic nor trying to be unnecessarily in-depth.
- Films: These are films that have not necessarily been released this year as I don’t often get the chance to go to the cinema but moreso the films that I have seen this past year (whether for the 1st time or not) and recommend… The Devils Double (2011), Drive (2011), Oceans 11 (2001), American Gangster (2007), Reserviour Dogs (1992), Benny & Joon (1993), Funny Games U.S. (2007), The Girl With The Dragon Tattoo (2011), The Road To Gauntanamo (2006), Sin City (2005), Life In A Day (2011) and Snatch. (2000)
- I thought I would also add in a quick list of current film anticipations (whether DVD or Cinema releases) for 2013: Django Unchained, Looper, Frankenweenie, Gangster Squad, Seven Psychopaths, Imaginaerum, The Man With The Iron Fists, Killing Them Softly, Cloud Atlas, Now You See Me.
Labels:
2012,
Favourites,
film,
Highlights,
music,
Television
Saturday, 22 December 2012
How Was I To Ever Believe It, It's Never Too Late
- The Maccabees - Feel To Follow
A complete new-found-love after having seen them live as a supporting act for The Black Keys. Wow. I remember being set against them from their previous work but their most recent album is an aboslute dream. - The Neighbourhood - Let It Go
- Anais Michell - Young Man In America
A find, courtesy of my media teacher. - Haim - Don't Save Me
- Wife - Bodies
No lyrics needed. - Jack Penate - Every Glance
- Bill Withers - Use Me
I have an undeniable love for his man and this song translates everything I love about his style. - The Cardigans - Please Sister
- J. Cole - Breakdown
- Nirvana - Come As You Are
Thursday, 29 November 2012
Mass Hallucination Baby, Ill Education Baby.
- Kendrick Lemar - Good KidLemar's debut is absolute perfection to me and this song by far stands out. Close runners up are The Recipe (as stated in last months playlist), Swimming Pools (Drank) and Compton. This song reminds me of Andre 3000's "The Love Below" especially in the second half of the first verse where the vocals layer and echo and the choice of samples also has hints of J. Cole's début From these two comparisons alone, it's safe to say the song is complete genius. Good Kid, m.A.A.d City is extremely well polished for a début but with enough grit within the lyrics to make way for a new rapper.
- Miquel - The Thrill
- Alpines - Cocoon
- John Mayer - Ain't No Sunshine (Cover)Wow. I have an extreme dislike for covers of Bill Withers' Ain't No Sunshine as I feel it is never done any justice but this has by far got my certificate of approval. Its been given a Californian freshness and ease to the song without losing its original soul and character.
- VAST - Pretty When You Cry
- Ben Howard - Oats In The WaterStill has the charm and atmosphere of his first album but explores a darker, more nostalgic side.
- GOOD Music - Sin City
- Nas - Roses
- Breakbot - Baby I'm YoursSo much funk, its hard to handle. A bit like listening to Passion Pit in the 80's. Or, as my friend who introduced this song to me said, "a modern Bee Gees".
- The Villagers - Becoming A Jackal
Labels:
Alpines,
Ben Howard,
Breakbot,
GOOD Music,
John Mayer,
Kendrick Lemar,
Miquel,
music,
Nas,
The Villagers,
VAST
Sunday, 28 October 2012
I Could Take The Pitchfork From The Devil
- RZA ft The Black Keys - Baddest Man AliveI always knew The Black Keys had an unexpected edge to them (and not the typical rock band edge either) and they have completely lived up to my expectations in this collaboration with rapper, RZA. This song has everything I love about the The Black keys in it - their quaky instrumentals and their simplistic lyical genius translated through a blues vibe. But not only that, RZA has his timing on point and blends into the rock stylistics of this song in ease giving it a harder punch. This is one kick-ass song which pretty muchs sets itself up for a kick-ass film...
- Kendrick Lamar - The Recipe
An up & coming artist that I am so into right now - The XX - Teardrops (Cover)
- GOOD Music - CliqueI'm pretty shocked to realise I didn't already post about this so had to slide it in!
- Billy Ocean - Caribbean QueenI feel I have to add a few explanations to this months playlist - well this song is a classic, a vague genre which must always be fulfilled, but my main reason for hitting the replay button is my rekindled love of the American TV show, Everybody Hates Chris. Fans; you will know why
- Tennis - Origins
- The Revivalists - CriminalThis is one of those songs that I am surprised that I like since it would usually be the thing that I would have listened to when I was in "that" stage and now hate but it just has that whole "trash a hotel room" vibe without having that teenage angst that usually accompanies it
- N.E.R.D - Hypnotize U
- Daley - Up And Down
- No Doubt - Hella GoodI am so sad to say this, but I was slightly if not completely disappointed with No Doubts returning single, wtsitcalled, and so I have been trying to comfort myself by listening to their old tracks
Tuesday, 16 October 2012
The Represention Of: Tupac Shakur
Tupac Shakur is one of the most creditable, influential and compelling American rappers of all time. His rise to fame has been iconic and has been subject to much media speculation and controversy but within his genre, who could expect any less?
Having been raised in
the ghettos of America, Tupac was accustomed to a life of poverty and crime
which enabled him to witness the true cracks in society. Shakur used his music
to proclaim societal and political issues from the corruption of authority to
sexual abuse and in effect, gave a voice to the majority of American’s living
in the ghetto. Tupac began his professional career in the 1990’s having
released his first EP in 1990 and his first solo album, 2Pacalypse Now, a year
later. His debut instantly received high critical acclaim as well as out-right
criticism, a divide that inevitably followed throughout his career. His first
official release, Brenda’s Got A Baby, is a prime example of Tupac’s signature
style not only in the use simple urban beats, soulful backing vocalists and straight-forward
yet poetry-like style, but also the topics he discusses for the lyrics to this
particular song were formed after having read a newspaper report on Brenda, a
12 year old girl who fell pregnant at the hands of her cousin, which triggered
his criticisms of how society treats teenage pregnancy and how quick they are
to outcast young mothers which then has a knock on effect to crime and
prostitution.
Rap artist, 50 Cent once stated
that "every rapper who grew up
in the Nineties owes something to Tupac” commemorating Tupac for being a
pioneer of the rap genre and for rather than allowing himself to be comparable
to other artists of the 90’s, he set himself apart as someone to whom future
artists are can be comparable to. Tupac has achieved high respect even within
modern pop culture and many rap artists still use their songs in homage
to him. J. Cole, an American rapper who released his debut, Cole World: The
Sideline Story, late 2011, actually cites the chorus of Tupac’s Hail Mary within
his EP Single, Enchanted. J. Cole has been credited with having an extremely
similar style to Tupac and has further shown that Tupac represents the soul of
the rap industry by discussing similar society centred topics with the urban
roughness and explicitly that initially set Tupac apart from the rest.
However, Tupac wasn’t
always criticised in his represented in a critical manner for the music video
to Changes, was released after his death as homage to Tupac and his achievements
within the rap industry. This video is a documentary style montage of Tupac at
various points within his career and various clip are collected from media
reports. Amongst these are some of Tupac’s troubles and various run-ins with
the police but rather than use this against him, the clips are combined with
photographic images to portray him as “only human” and as an honest American
who grew up in the ghetto. A clip of Tupac himself is shown addressing his
approach to representation from which the audio can be herd of Tupac calling
him a thug by nature and accepting responsibility for himself yet acknowledging
he cannot be representative of “every black male”. This thus disregards all
negative press that had classified him a “bad role-model” for Tupac makes it
clear he never set out to become a “role-model” at all.
“I wanted to keep it
real, and that’s what I thought I was doing, But let somebody else represent
it. I represented it too much.” - Tupac Shakur on the thug life.
As this quote suggests,
throughout his career, Tupac has carefully represented and branded himself as a
thug and in music videos such as I Get Around, he glorifies the “thug life”. I
Get Around represents Tupac to lead an opulent lifestyle in which house parties
are thrown, he is surrounded by young attractive women and bathes whilst
wearing heavy chains. Tupac also represents himself as a thug through personal
image such as his reputation for wearing a white vest, a doo rag and expensive gold
jewellery which all serve as stereotypical imagery for the rap genre. This thus
represents rap to be centred on superficial luxuries and power, “forgive me I’m
a rider, still I’m just a simple man, all I want is money…”, however Tupac also
uses this phrase by associating it with all the troubles and traumas that life
has offered him such as Thugz Mansion and Thug N U Thug N Me. Tupac mocks the
representation of a “thug” by citing that for his fans that are living well
lives, Tupac’s lyrics will seem to “glorify” the thug life but for his fans
that actually do live in the ghettos, it’s a way of helping them out of it.
Most male rappers are
stereotypically represented as misogynistic whereas Tupac understands and
explains the trials and tribulations of women and appreciates their presence
and the power that they have over men. In Tupacs first posthumous single, Thugs
Get Lonely Too, he assumes the voice of a typical thug and their sexual desires
however he emphasises on the hold that women have over them by creating a
scenario in which he is transfixed on a woman and when he is alone, is unable
to stop thinking about her. Further more in Wonder, Why They Call You A Bitch, Tupac conveys how women should act in order to be respected by men and offers
positive influence by stating “keep your mind on your money, enrol in school”
and “keep your head up, legs closed, eyes open” for Tupac understands that some
men may use women but and he doesn’t aim to change that, yet he defies the
representation of rappers being misogynistic by educating his female audience
and willing them to be wise with their body and to take control.
However, one point
during Tupac career which was particular subject to harsh criticism was when he
was sentenced to serve 1½ – 4½ jail time
when charged with rape in November, 1993. This destroyed a significant amount
of Tupac’s reputation as the media often represented him as being violent and
brutal however prior run-ins with the law added to his reputation such as a
shoot-out in Atlanta in the early 1990’s made Tupac even more of a “hero” in the
eyes of his fans for he became more real and more relatable thus having a
positive representative effect.
In contrast to the
negative responses of the media, Tupac is represented as a heavy influence
towards many rap and hip-hop artists and has a variety of songs dedicated to
him after his death such as Ashanti and T.I’s – Pac’s Life in which they state
how Tupac rose to success against all odds and still manages to have a lasting
impact, “all the shit you went through meant a lot to me…”. Other rap artists
such as Eminem state that Tupac “set a standard” for all rap artists by proving
that you have to be relatable in every aspect which is one of Tupac’s greatest
achievements for he had an experience and a lyric for almost every trouble a
person may face growing up. Eminem further states in the same interview on this
remix with Biggie Smalls and Tupac that whilst Tupac represents many Americans,
“there was only one Tupac” thus suggesting him to be the most original rap
artist of all time. And so, despite his criticisms, of which all artists have
been subject too, Tupac is generally remembered in a positive light and to have
an everlasting impact upon the entire rap industry.
Saturday, 29 September 2012
When I Whistle, Whistle Ow
- Azealia Banks - LuxuryI was never a fully fledged Azealia fan from her first release of 212 but after her release of Luxury, I have finally understood her fanbase. Her tongue-tied half-sung/half-rapped lyrics are extremely infectious and which she stylishly teams with a club-trance like track and a clear beat to perfection. I could practically play this on repeat all day as the almost 3 minute track practically flys by. I absolutely adore her music videos that channel pure 90's/Western style with a timelessly classic monochromatic street setting. A video in which Azealia proves that this song can pretty much be played from all day to all night.
- Smoke & Jackal - No Tell
- Santigold - God From The Machine
- MS MR - Hurricane
- Lupe Fiasco - Strange Fruition
- Billy Joel - New York State of Mind
- Joss Stone - A Man's World (Cover)
- Odesza - How Did I Get Here
- Alabama Shakes - Be Mine
- Neon Faith - Escape
Sunday, 26 August 2012
Bad Dreams, Cleopatra
This is my first playlist and I so I pretty much have my whole iTunes from which to chose. I will, however, restrict myself only to songs that I have been obsessing over the past few weeks, whether old or new. I have a pretty varied taste in music however this was not always the case - I seriously used to have 2 separate iPods for two particular genres and feared ever combining the two - and since this very unique case of OCD, I have really tried to experiment with my music tastes and be open to new artists, genres and styles. My music loyalty definitely belongs to R&B (Hip-Hop, Rap, etc) but I also have a very dominant Rock side (Alternative, Indie, etc) so you can basically expect a whole range of beats to come blasting through your earphone at my suggestion!
Okay, excuse the extremely long introduction, you probably wondering what in heck the title is about. Well...
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- Frank Ocean - PyramidsThis song is my absolute current addiction and I plan to completely drain this song before I fully explore the whole of his debut, Channel Orange. I have been pretty much in anticipation of this album since my discovery of his EP Nostalgia Ultra. Frank Ocean is the voice of soulful simplicity over a layered and somewhat complex and experimental track. Pyramids is the length of two songs but both halves transition into one another using a brief interval of what I imagine to be the sound clip of a sunset. The first half has an early 2000's dance vibe to it which subtly merges into a more chilled hip-hop tone and the cryptic lyrics modernise to a harsher reality.
- Theophilus London - Flying Overseas
- Bobby Bland - Ain't No Love In The Heart Of The City
- Drake ft The Weeknd - Crew Love
- Friends - I'm His Girl
- Dan Auerbach - Heartbroke, In Disrepair
- J. Cole - Can't Get Enough
- Niki & The Dove - The Drummer
- Lucy Rose - Lines
- Plan B - Deepest Shame
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